The cold was too intense, too all encompassing in its icy embrace, so we had decided to leave. But to were? We had resolved to catch a train to a warmer climate. But how far could we go and could we keep our bikes with us? Despite the pain, emotional and physical, that they had caused us, we have become emotionally, almost spiritually, attached to them and leaving them behind would radically alter the tenor of our trip.
Our first stop today was the train station, rising from the city like a fabulous 18th century hall, classical statues and carvings coating its facade. We walked through in the wrong direction and found ourselves on the platforms leading to trains, illegally without tickets. We hurried back into the terminal and found the office and waited for our number to be called. We found out the price of a ticket to Rome but we couldn’t take our bikes. The nearest we could take out bikes was Nice, so we found out the price for that as well. Then we found a nearby bank, changed some money into francs and went for a walk to contemplate what to do with our immediate future.
We walked at random and hence managed, without plan, to see some of the more important sights in Bordeaux. We walked along the quay that looked over the Garonne River. We passed the School of Fine Arts, ironically in one of the ugliest buildings we had seen anywhere. We came to the Pont De Pierre, the elegant bridge that leads into town. It terminated at a roundabout in front of the colossal Port des Salinieres, a massive arch that was lost amid the bustle of traffic and the buildings that rose above its height to either side.
We passed the Chamber of Commerce and the Customs House, two awesomely beautiful buildings with intricately carved stonework and gold gilding on all the ironwork. It wasn't hard to see where there was wealth. The customs museum, displaying seized goods of many crimes was tempting but somehow it seemed wrong to pay to see illegal hides or tusks from endangered animals. No one should profit from their suffering.
We ended our tour of the riverfront at the Esplanade des Quinconces, laid out in 1820. We looked forward to it eagerly. The towers at the at the gates were the most elegant things yet seen in Bordeaux, the lamp posts that crowned the surrounding wall were cast iron in a nautical theme with black iron bows of ancient triremes projecting from them.
But the square had hosted a fair the day before and piles of garbage rose higher than our waists. More worrying still was the line of grim looking riot police, plastic shields and batons in hand blocking a corner of the square while old women shouted at them. We left, if not hurrying then at least walking briskly.
Still we stopped at the monument to the Girondins at the head of the Esplanade. A beautiful, allegorical fountain of the Republic and Concordia being pulled through the ocean by straining sea horses sprayed the air with a fine mist while a column topped by an unidentified statue rose halfway to the sky.
From here we walked to the Cathedral, but it was closed for lunch so we circled around behind city hall and ate our lunch in the Jardin de la Mairie. The garden was beautiful, the iron fence gilded in gold with the coat of arms of the city prominently displayed, a fountain circled by flowers that seemed to thrive despite the cold, the whole thing flanked by the Museum of Fine Arts on either side, children playing enthusiastically at one end.
We returned to the Cathedral. It was an indescribable edifice, vastly gothic with twin towers over the main entrance looking demonic with their angled sharpness and smooth seductive curves. Inside, the high ceiling curved above us in cavernous silence while the vast rose windows glowed.
The bell tower wasn’t connected to the church itself and its great shape, a spike slammed deep into the ground could sometimes be seen peering through the windows. I left Heather inside sketching while I phoned home.
When she was done we walked again and found the Museum of Aquitaine. We had planned to go tomorrow but thought we could run through it in the two hours it was still open. The museum was, so far at least, by far the best thing of Bordeaux.
It began with an exhibit of the areas prehistory, the many axes, knives, spearheads, arrowheads, left by prehistoric man. Here were some of the early "Venus" representations, these ones carrying a crescent in their hands and were carved into rock. A representation of the cave paintings at Lascaux adorned the walls and simulacra of ancient painted deer raced across simulacra of ancients cave wall.
There was a small exhibit of Greek and Roman pottery then a vast gallery to the Roman occupation. Elegant classical statues stood vigils over cracked mosaic floors.
There had been a major temple to Mithras here and many, many gifts to the god had been among the finds. The coins of the Bordeaux horde were spilled out in a casual pile, making it easy to see the amazing thickness and weight of the things, while the more spectacular items were showcased in a well lit tray.
Then came the section of the middle ages, with the capstones of columns and many medieval sarcophagi. Then stunningly, amazingly, the entire remains of a vast rose window mounted against a wall, a great wheel of intricate stone whose weight oppressed the room.
But more still, the era of revolution and the many republics with elegant clothes, beautiful jewelry and legacy of headless French. Then the modern era, then post modern, a display of life in the countryside and the collections from Oceania and the far north of Canada and finally a CBC sponsored exhibit about Quebec. Too much to see and displayed in the best fashion we had seen.
We left at closing, found an internet cafe, emailed, went home and got drunk on bordelais wine.
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